Carrying the Effigy
Carrying the Effigy
January 12 – March 4, 2023
1 Rivington Street, New York
Samira Abbassy, Oona Brangam-Snell, Jia Sung
CANDICE MADEY is pleased to announce Carrying the Effigy, an exhibition of three artists working in paint, textile, and embroidery. The works featured in Carrying the Effigy utilize folkloric, mythological, and iconographical histories to consider the connection between visual traditions and methods of understanding individual and collective experiences. The title of the show references a work by painter Samira Abbassy.
Samira Abbassy’s oil paintings borrow emblematic imagery from Western and Middle-Eastern mythology and history, locating and extrapolating meaning from their many meeting points. Abbassy utilizes these symbols to explore the nature of domesticity, generational trauma, and the psychological state of the self through her investigative practice.
Oona Brangam-Snell’s Jacquard-woven textile pieces draw from her work as a textile designer, as well as the history of textiles such as tapestry, curtain making, and theatrical set design. Brangam-Snell references mythology and folklore through the lens of contemporary design, bringing to question both material and iconographical image making traditions. The resulting works are at once playful and cryptic.
Jia Sung’s gouache and oil paintings draw from “strange tales”, a Chinese zhiguai tradition, referencing visual histories from Chinese mythology and Buddhist symbolism to create surreal images that explore otherness, queerness, and femininity. In Sung’s work, delicate beauty coalesces with imagery that is at times sinister-feeling. The resulting works are both familiar and unusual.
Organized by Bella Anastasio.
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Image details: Oona Brangam-Snell, Summer Night in Green Town, 2021, Jacquard woven cotton and polyester, 66 x 43 inches. Photo credit: Sullivan Gardner (above); Jia Sung, Snake Eater, 2021, Oil on canvas, 16 x 20 inches. Photo credit: Adam Reich (previous page).
Oona Brangam-Snell, Summer Night in Green Town, 2021, Jacquard woven cotton and polyester, 66 x 43 inches. Photo credit: Sullivan Gardner.
Samira Abbassy, Reincarnated Fears, 2016, Oil on birch panel, 48 x 36 inches. Photo credit: Jeanette May.
Samira Abbassy, By the third of her generation, 2016, Oil on birch panel, 48 x 36 inches. Photo credit: Jeanette May.
Jia Sung, Apocalypse Hymn (dou'e yuan), 2021 ,Gouache, acrylic, embroidery thread, grommets, and glass beads on linen ,16 x 60 inches. Photo credit: Adam Reich.
Jia Sung, Viper Nursing, 2019, Gouache and embroidery on linen, 9 x 12 inches. Photo credit: Adam Reich.
Jia Sung, Rabbit Rodeo, 2019, Gouache and embroidery on linen, 9 x 12 inches. Photo credit: Adam Reich.
Oona Brangam-Snell, Lemon Ritual, 2021, Jacquard woven polyester with hand embroidered cotton, 28 1/4 x 29 inches. Photo credit: Sullivan Gardner.
Samira Abbassy, Love & Ammunition II , 2014, Oil on birch panel, 48 x 36 inches. Photo credit: Jeanette May.
Samira Abbassy, Anastasis, 2021, Oil on birch panel, 44 x 33 1/2 inches. Photo credit: Jeanette May.
Oona Brangam-Snell, Love Letter to a Nightmare, 2022, Woven polyester and cotton with hand-embroidered cotton, 66 x 97 inches. Photo credit: Adam Reich.